The caretaker harold pinter pdf
The interpretation: Harold Pinter tries to describe the problem of human communication (Aston but also shows the attitudes and problems of an average chap (Davies) with his racist, authoritarian, but sometimes also subservient character and his social prejudices.
The tramp is reluctant to take the job, but he obviously likes the shelter and struggles to establish a foothold in the room.
THE caretakers reputation as a modern masterpiece.
It deals with human responses that are basic to all mankind and that express a darker sense of mans insecurity, aggressiveness or hypocrisy.His most famous works: "The Birthday Party" (1958 "The Dumb Waiter" (1957 "The Caretaker" (1960 "No Man's Land" (1975) and "One for the Road" (1984).The Dramatists Theatre Pinter, Osborne, Wesker, Arden and Beckett.He likes smoking his pipe, never smokes cigarettes, never dreams, and never makes noises at night (when Aston asks him why he did make noises during the night, Davies tells him that these nasty noises must have been made by blacks from the neighborhood). Davies: He's arrogant and very racist, he especially discriminates against blacks.Harold clt atualizada 2012 pdf Pinter: A Study in Dialogic Art, New Delhi: Prestige, 1996.He doesn't want to talk about his past, he doesn't even tell where he's from, but divulges, that he once lived under the wrong name of Bernard Jenkins.The depth and perception shown in the authors dialogue, plus his use of both comedy and tragedy, all contribute.The characters: Aston: He's a young man and a little bit weird man; he loves working with his hands and seems to be quite good-natured or even a little bit naive.Hong Kong: The Macmillan Press, 1982, Print.The caretaker, the author: Harold Pinter was born on the 10th October 1930 in Hackney/London.Mick seems to be jealous of the new "friend" of his brother, and so he asks Davies to work as a caretaker in his house. Mick: He's a really strange person; at the beginning he tortures Davies psychically; when he talks to him, he always repeats uninteresting things, talks about his family and compares him to his uncle and a bloke he once knew.Now he lives in his brother's dilapidated house in order to renovate.Almansi, Guido and Henderson, Simon, Harold Pinter, London: Methuen, 1983.Aston, a young man in his early thirties, rescues a poor old tramp from a fight.Drama Criticism: Developments since Ibsen,.In the 80's he turned to political subjects and attacked totalitarian governments.
He seems to be nosey and distrustful, when he is alone, he examines the rooms of the others, but he's also easily afraid.